history repeating : A ryan chang Reel

‍ ‍‍ ‍ORIGINAL FILMMAKING, CINEMATOGRAPHY, EDITING, COLOR, VFX & UNREAL BY RYAN CHANG — COMMISSIONED & COLLABORATIVE WORK: PORTFOLIO

(Best viewed in 4K)

FILMMAKING · CINEMATOGRAPHY · EDITING · COLOR · FINISHING

Award-winning cinema and post-production by Ryan Chang / gemini film studios

right here, Right now

FILMMAKING · CINEMATOGRAPHY · EDITING · COLOR · FINISHING

Award-winning cinema and post-production by Ryan Chang / gemini film studios

SELECTED FRAMES

Thoth

(trailer Best viewed in 4K)

a film for your nervous system

a film by ryan chang

INTernational Avant-Garde Awards, 2025 — Only U.S. Winner.

inTERNATIONALLY RECOGNIZED ACROSS VISUAL EFFECTS, CINEMATOGRAPHY, COLOR GRADING & DIRECTING

ryan chang — Blackmagic design certified


DAVINCI RESOLVE — EDITING · COLOR GRADING · FAIRLIGHT AUDIO · FOUNDATIONS

VIEW PORTFOLIO FOR CREDENTIALS & AWARDS →

WORK WITH GEMIni

AVAILABLE FOR CINEMATOGRAPHY & END-TO-END POST-PRODUCTION — EDITING, COLOR GRADING, SOUND, FINISHING & DCP DELIVERY — FOR NARRATIVE, DOCUMENTARY, COMMERCIAL & EXPERIMENTAL PROJECTS.

SERVices

Testimonials

CLIENTS ON WORKING WITH RYAN CHANG

“His editing work transformed raw footage into something mythic and magnetic.”

— Chris Dixon

“HE DELIVERED EVERYTHING FROM THE WEB EDIT TO THE THEATRICAL DCP ON SCHEDULE — PATIENT, RESPONSIVE, AND TECHNICALLY SKILLED.”


- Vinay Chandra, Director 

“THE VIDEO RYAN CREATED WAS A MASTERPIECE. THIS PIECE OF ART WAS SO COMPELLING, SO BEAUTIFUL AND PERSONALIZED TO ME.”

-Aaron Buchanan

CONTINUATION THROUGH INNOVATION

WHY DOES AN IMAGE HIT?

FE!N and the Collective Unconscious is a look inside the way I think about filmmaking—using experimental and structural cinema, symbolism, subjective point of view, and Jungian psychology to explore how images can carry psychological meaning before we consciously decode them.

THE DEEPER ARCHITECTURE IS THERE SO THE IMAGE HITS HARDER—NOT SO THE VIEWER HAS HOMEWORK TO DO.

Whether I’m trimming a tracking shot, shaping a documentary about putting art on the Moon, building an experimental film from thousands of images, or designing a feature, the same question runs underneath the work:

WHAT DOES THE AUDIENCE FEEL, AND HOW CAN IMAGE, CUT, SOUND, COLOR AND RHYTHM MAKE THAT EXPERIENCE STRONGER?

THE WORK THROUGHOUT THIS SITE IS THE PRACTICAL RESULT OF THAT WAY OF THINKING.

WATCH: FE!N AND THE COLLECTIVE UNCONSCIOUS ↓