01
Moon in Scorpio
Nearly 9 minutes · 5-hour shoot
Ryan + one actor + one cinematographer
RYAN CHANG · WRITER / DIRECTOR
AWARD-WINNING ORIGINAL CINEMA · FROM FIRST IDEA THROUGH FINAL DELIVERY
A film for your nervous system.
Thousands of photographs.
60 frames per second.
One way out.
Written & Directed by Ryan Chang
Trailer
INTERNATIONAL AVANT-GARDE AWARDS · 2025 · ONLY U.S. WINNER
Best Experimental
Short
Best Visual
Effects
“A fun and mesmerizingly trippy film to watch!”
Jerry Toth · International Avant-Garde Film Awards
INTERNATIONALLY RECOGNIZED ACROSS VISUAL EFFECTS, CINEMATOGRAPHY, COLOR GRADING & DIRECTING.
Credentials & awards ↗THE PRODUCTION METHOD
Creative ambition breeds technical excellence.Technical fluency turns limitation into expansion.
Ryan built whole-film fluency by making ambitious work where time, money and crew size demanded invention. He writes, directs, photographs and finishes his films—designing achievable images, anticipating post early and protecting one cinematic intention from screenplay through final delivery.Spend where the audience can feel it.
That fluency creates mental bandwidth—not control. With the system understood, Ryan can stay present on set: communicate clearly, meet actors and crew where they are, and recognize better ideas as they arrive. Everyone gets enough context and trust to bring their own intelligence, creativity and character to the frame.
01
Nearly 9 minutes · 5-hour shoot
Ryan + one actor + one cinematographer
02
Ryan + one actor
10,000+ photographs · 60 fps
03
Approx. 80 minutes
4 locations · Unreal Engine previs
Moon in Scorpio moves through the pain of shattered illusion;THOTH moves through compulsive loops and escape;and Pisces Rising, a feature in development,where desire and self-possession collide as a 96-hour countdown begins—
THE ILLUSION SHATTERS. SOMETHING TRUE EMERGES.
THE LOOP BREAKS. ESCAPE BECOMES VISIBLE.
THE STAR DEMANDS COMPLIANCE. THE QUEEN TESTS WHAT’S LEFT.
all leading to one eclipse.The loop will break.Whether they are ready or not.
THE PRACTICE · COLOR / RHYTHM / MYTH
I trust the image that arrives before the explanation. Shadow work, lived experience and years spent traveling the world feed that instinct. If something makes me laugh, flinch or lean closer, I pay attention.
Directing is partly listening: where is the energy taking us, what is the actor or collaborator revealing, and how do I translate that into performance, image and rhythm? Craft gives the intuition form.
The work can go dark; the process doesn’t have to. I take it seriously, not solemnly. It should stay strange, seductive and alive—with meaning you can feel.
Read the thinking behind the films ↗
THE FILMMAKER
Ryan Chang is an internationally award-winning filmmaker and writer-director. Since nineteen, his life has moved through six years in the military, months inside an active war zone, the Middle East, London, Portugal, Texas and Florida, artist residencies, DJ booths and film sets. He is exacting about the image, curious about people and generous with the ones helping make it.
Jungian psychology, tarot, shadow work and healing gave him ways to process what he had lived through; the films became the form that process took. Obsessive notes in Mysterium Coniunctionis, DJing in Ibiza and Spice Girls videos all belong to the same curiosity. At Nida Art Colony, he developed that thinking through color, editing rhythm and myth.
He likes collaborators with strong points of view, direct communication and enough humor to keep the room alive. The work matters; so does enjoying the people making it.
THE WHOLE IMAGE / PRODUCTION THROUGH DELIVERY
Ryan holds the whole system of a film in his head: what the work is trying to become, how each department serves it and how to reverse-engineer the path from idea to finished deliverable.
Juries have recognized his direction, cinematography, color and visual effects. Professional command of editing, sound, finishing and theatrical delivery catches problems early and protects the image. Collaborators get a clear common language without being left in the dark—and room for their own creativity to change the picture.
Blackmagic Design Certified · DaVinci Resolve

Editor’s Guide to DaVinci Resolve 18 · July 8, 2024
View original PDF ↗
DaVinci Resolve 18 · June 12, 2024
View original PDF ↗
DaVinci Resolve 20 · January 18, 2026
View original PDF ↗
Introduction to DaVinci Resolve 18 · June 29, 2024
View original PDF ↗FE!N & THE COLLECTIVE UNCONSCIOUS
A look inside the way I think about filmmaking—using experimental and structural cinema, symbolism, subjective point of view, and Jungian psychology to explore how images can carry psychological meaning before we consciously decode them.
The deeper architecture is there so the image hits harder—not so the viewer has homework to do.
THE ECLIPSE TRILOGY / THE NEXT FILM
Feature screenplay complete · Producer package ready
A contained psychological thriller expanding the territory of Moon in Scorpio and THOTH at feature scale. The screenplay and producing materials are ready; the next move is the experienced partner who knows how to mount it.
Approximately 80 minutes · Four primary locations · Unreal Engine previsualization · Production assumptions, visual development and working materials ready.