SERVICES

Internationally recognized cinematography across narrative, documentary, experimental, interview and live-performance work.

Experience includes 16mm Kodak/Ektachrome, Blackmagic, RED and Panasonic systems, plus ATEM multicamera capture. Services include camera operation, lensing, lighting, shot design, interviews, performance coverage, single-camera and multicamera production.

Best Cinematography nominee, Replay International Film Festival.

Editing from raw footage through picture lock, or stepping into an existing cut that needs structure, rhythm or clarity.

I handle assembly, restructuring, pacing, performance shaping, montage, archival integration, versioning and editorial rescue across narrative, documentary, performance and experimental work. Remote review and revisions available through Frame.io.

Blackmagic Design certified in DaVinci Resolve Editing.

Color grading, look development, shot matching, color management, image finishing, and creating a unified visual language across a project.

Integrated VFX and image manipulation built into the visual language of the film.

Services include cleanup, compositing, masking, stabilization, layering, stylized transitions, archival manipulation, mixed-media construction and experimental effects work.

My film THOTH, built through a largely solo pipeline from more than 10,000 individually captured images, received Best Visual Effects at the International Avant-Garde Awards.

Dialogue cleanup, sound design, music integration and final mixing for narrative, documentary, performance and experimental projects.

I handle dialogue repair, ambience, effects, leveling, stereo and 2.1 deliverables, web-ready mixes for YouTube and Vimeo, and 5.1 theatrical mixes for DCP delivery in DaVinci Resolve Fairlight.

Because I also work in picture editorial, sound can be shaped as part of the film’s rhythm and emotional architecture rather than treated as a separate technical pass at the end.

Blackmagic Design certified in Fairlight Audio, with experience delivering from web platforms through 5.1 theatrical exhibition.

Final mastering and theatrical delivery without the last-minute technical panic.

Services include DCP creation, festival masters, subtitle checks, aspect-ratio and color-space verification, audio routing, stereo/5.1 preparation, playback QC and final delivery.

My professional finishing work has taken projects from locked picture and web delivery through festival and theatrical DCP exhibition.

Hundreds of hours of Unreal Engine work using virtual production as a practical previs and techvis system.

I use Unreal to explore lenses, camera distance, blocking, movement paths, lighting, spatial design, depth of field and scene geography before production begins. The goal is not simply to create pretty concept images. It is to communicate a specific cinematic plan before a crew ever arrives on set.

This workflow has been developed extensively in preparation for Pisces Rising.