SERVICES

FULL POST-PRODUCTION PIPELINE FOR NARRATIVE FILM
Editing • Color • VFX • Sound Prep • Festival Delivery

GEMINI FILM STUDIOS

Complete Post-Production & Finishing

If your film is close — but not fully resolved — I handle the final stretch.

Or —

If you’re starting from raw footage, I can build the entire post pipeline from the ground up.

Editing. Color. VFX. Sound prep. DCP. Festival delivery.

Ensuring your film plays correctly in theaters the first time.

One person. One pipeline. No fragmentation.

You send the cut. i deliver the master.

How people hire me

COMMON PROJECTS I TAKE ON

1. Editorial Rescue
Your film is mostly cut but something isn’t working.
I rebuild pacing, structure, and performance clarity.

2. Full Post Pipeline
From raw footage to locked picture and finishing.

3. Festival Finish
Color, sound prep, and DCP delivery for festivals.

STREAMLINED COLLABORATION

Every project runs through Frame.io — built for clear, low-stress revision.

• Watch the current cut instantly in your browser
• Leave precise, timecode-specific notes directly on the timeline
• See exactly what’s changed in the next revision
• All feedback centralized in one place — edit, color, VFX, and sound
• One thread. One evolving cut. No scattered emails

You always know which version you’re watching.
You always know what’s changed.
You leave notes exactly where they belong — on the frame.

Clean upload. Clear feedback. Fast turnaround.

Instead of coordinating multiple vendors — you speak to one person who understands the entire film.

WHAT I HANDLE

Picture & Pacing

From raw footage to final picture lock — or refinement of an existing cut.

• Structural rebuilds and clarity passes
• Pacing refinement and take selection
• Performance tightening
• Rhythm and montage systems
• Full edit builds from dailies

If something feels “off,” we identify it and solve it.

Color & Image

Look development from scratch — or full finishing pass.

• Full-film shot matching
• Expressive or naturalistic grading systems
• HDR / SDR mastering workflows
• Projection-ready finishing
• Look design from raw footage

Your film should feel unified — not patched.

Editorial VFX

• Cleanup and compositing
• Integrated editorial VFX
• Image stabilization and enhancement
• Experimental or conceptual visual systems

Built into the edit — not outsourced after the fact.

Sound & Delivery

• Stereo and 5.1 mix prep
• Dialogue cleanup and leveling
• Festival export formatting
• Subtitles and compliance
• DCP creation and QC

No last-minute scrambling before a deadline.

DCP & FESTIVAL QC

Final delivery should not be a gamble.

I can:

• Build your DCP from final picture lock
• Polish and verify existing DCPs
• Run full Quality Control checks before festival playback
• Confirm audio channel routing (Stereo / 5.1)
• Verify aspect ratio, color space, subtitle compliance, and encryption settings
• Test playback compatibility to reduce projection issues

If a theater says something looks or sounds wrong — we catch it before that happens.

Your file should play correctly the first time.

No surprise errors.
No last-minute panic emails from projection.

Delivery is the final impression. It should feel solid.

SELECTED RECOGNITION

• Best Experimental Short — International Avant-Garde Film Awards (THOTH)
• Best VFX — International Avant-Garde Film Awards (THOTH)
• International nominations for Best Director, Cinematography, and Color Grade
• Bold Voices Award — Black Box Film Festival (Moon in Scorpio)

HOW TO REQUEST A QUOTE

Email: RKCASTOR@GEMINIFILMSTUDIOS.COM

Include:

A link to your cut or sample footage
Deadline and required deliverables
Runtime and format specifications

You’ll receive a clear timeline and flat project quote.

AVAILABILITY

Projects are taken on a limited basis to ensure focus and quality.
Short-notice deadlines are welcomed when feasible.

project intake

🜁 SEE THE PATTERNS. FIND THE CODES.
Sidestep the little bits of history repeating.